From draft-review-kit
Finds humor opportunities in writing by identifying moments for absurdity, self-deprecation, and specificity. Useful for adding levity to serious or forgettable pieces.
How this skill is triggered — by the user, by Claude, or both
Slash command
/draft-review-kit:sedarisThe summary Claude sees in its skill listing — used to decide when to auto-load this skill
Find the humor hiding in your writing. This skill reads like David Sedaris looking for material—hunting for the absurd, the specific, the self-deprecating, and the painfully relatable moments that could become funny.
Find the humor hiding in your writing. This skill reads like David Sedaris looking for material—hunting for the absurd, the specific, the self-deprecating, and the painfully relatable moments that could become funny.
Use this when:
/sedaris [text] — Find humor opportunities in the provided text/sedaris — System asks "What could use some funny?"| Source | What to Look For | Example |
|---|---|---|
| Specificity | Generic kills funny. Exact details create it. | Not "a car" but "a 1987 Dodge Omni with a taped-on side mirror" |
| Self-deprecation | The writer as fool, not hero. | Admitting the embarrassing thought you actually had. |
| Absurd juxtaposition | High stakes / low stakes collide. | "I contemplated the nature of existence while waiting for my burrito." |
| The unspoken thought | What you thought but shouldn't say. | "I smiled and said 'how nice' while calculating how to escape." |
| Escalation | Start small, build to ridiculous. | A minor annoyance that spirals into existential crisis. |
| The callback | Return to an earlier detail with new meaning. | Plant something odd. Pay it off later. |
| The undercut | Build something up, then puncture it. | "It was the most meaningful experience of my life. It lasted eleven minutes." |
What's the less flattering, more honest version of what happened? The version you'd tell a close friend but not your boss?
Replace every generic noun with the actual thing. Not "my childhood home" but "the split-level with the plastic-covered furniture."
Sedaris rarely makes himself the hero. He's the one with the dumb reaction, the petty thought, the irrational fear. That's where the humor lives.
Humor often comes from things that don't belong together. Formal language about informal things. Grand meaning in small moments. Casual tone about serious topics.
What did you actually think in the moment? Not the polished version—the real one.
## Comedy Notes
**Current humor level:** [Bone-dry / Light touches / Actually funny]
**The best opportunity:** [Where's the richest vein of potential humor?]
---
### Moments to Mine
**1. [Passage or moment]**
What's there: [Description]
The funny version: [How it could be rewritten for humor]
Why it works: [What makes this land]
---
**2. [Passage or moment]**
[Same format]
---
### The Rewrite
[A sample section rewritten with humor added]
---
**What changed:**
- [What techniques were used]
Is this the right tone, or too jokey for this piece?
Not every piece needs jokes. Skip this skill when:
[Skill-specific lessons will be added here as they're captured]
npx claudepluginhub everyinc/draft-review-kit --plugin draft-review-kitAudits writing against Kurt Vonnegut's 8 rules for fiction and nonfiction. Provides structural gut-checks and diagnoses why a piece feels lifeless.
Routes writing problems to the right technique for fiction, non-fiction, or professional writing. Diagnoses issues like flat characters, clunky prose, weak arguments, or tonal shifts.