Drafts a production-ready briefing document for presenters or on-screen moderators, covering key facts, interviewee profiles, and suggested questions.
How this skill is triggered — by the user, by Claude, or both
Slash command
/autopunk-media-skills:presenter-briefing-writerThe summary Claude sees in its skill listing — used to decide when to auto-load this skill
Drafts a concise, production-ready briefing document that gives a presenter or on-screen moderator everything they need to walk into a shoot or live recording fully prepared.
Drafts a concise, production-ready briefing document that gives a presenter or on-screen moderator everything they need to walk into a shoot or live recording fully prepared.
Required:
Optional:
Structured document, 600–900 words for a standard briefing. Uses clear headers (bold or H3), short paragraphs, and bullet points within sections. Written in plain, direct English — no jargon, no academic register. The presenter should be able to absorb it during a car journey to the shoot. Tone is professional and collegial: informing a capable person, not lecturing them.
Presenter: Mariana Osei, freelance journalist, joining for one shoot day Programme: A documentary episode for a streaming platform about urban food deserts — areas where affordable fresh food is inaccessible Topic: A housing estate in a mid-size city where the last supermarket closed two years ago, and residents have organised a community food hub in response Contributors: (1) Sandra Kowalski, 58, retired, chair of the estate's residents' association and driving force behind the food hub. (2) Dr. Priya Nair, academic researcher in food poverty at a university — appearing via interview at her office. (3) Owen Fletcher, 34, local councillor whose planning decisions are linked to the supermarket closure — he has agreed to an interview but may be defensive. Tone: Warm, human-centred, not polemical. We want to tell the residents' story, not make a political attack piece. Avoid: Do not ask Owen Fletcher directly about a planning conflict-of-interest allegation — this is under legal review and off the record. Shoot day schedule: 09:00 arrive estate → 10:00 Sandra interview → 13:00 food hub observational filming → 15:30 Owen Fletcher interview
PRESENTER BRIEFING Episode: The Last Aisle — Shoot Day 3 Prepared for: Mariana Osei Date: 14 April 2026
The Story in Brief
Two years ago, the only full-size supermarket serving the Fernwood Estate closed. Around 4,000 residents — many elderly, many without cars — were left without affordable fresh food within reasonable reach. Rather than wait for a solution, a group of residents built one: a volunteer-run community food hub operating out of a converted ground-floor flat. This episode follows that community response, asks why the situation was allowed to develop, and looks at what it reveals about food access in post-austerity Britain. Your role is to guide the audience through their story with warmth and curiosity — this is not a confrontational investigation.
Background: Food Deserts
A "food desert" is an area where residents cannot easily access affordable, nutritious food — typically because large supermarkets have withdrawn and only convenience stores or fast-food outlets remain. The UK has seen a significant increase in these areas since 2010, concentrated in lower-income urban estates. Research links food deserts to higher rates of diet-related illness and increased household food costs despite lower incomes.
Contributors
Sandra Kowalski — Residents' Association Chair Sandra, 58, has lived on the Fernwood Estate for 26 years. When the supermarket closed, she co-founded the community food hub and now runs it with a team of 12 volunteers. She is the heart of this episode — articulate, proud, occasionally emotional on the subject. She has been filmed before and is comfortable on camera. She will want to focus on what the community built, not on grievance. Follow her lead: ask her to show you the hub rather than just describe it.
Dr. Priya Nair — Food Poverty Researcher Priya studies supermarket withdrawal from low-income areas. She will provide the structural context: why supermarkets leave, who bears the cost, what policy could prevent it. She interviews at her university office later in the schedule (not today). Her research directly references estates like Fernwood. She is precise and quotable — let her finish her sentences.
Owen Fletcher — Local Councillor Owen, 34, sat on the planning committee that approved the development scheme that preceded the supermarket's closure. He has agreed to speak but will likely be cautious and may use political language to deflect. He is not hostile — approach him as someone who wants to explain his position. Keep questions factual and specific to the planning timeline. Important: do not raise or allude to any conflict-of-interest allegation — this is subject to ongoing legal review. If he raises it himself, do not follow up. Flag to the director immediately.
Suggested Questions
For Sandra:
For Owen Fletcher:
Day Schedule
| Time | Activity |
|---|---|
| 09:00 | Arrive Fernwood Estate — meet director Tom Adeyemi at the car park entrance |
| 10:00 | Sandra Kowalski interview — residents' association office, Block B ground floor |
| 13:00 | Observational filming — food hub in operation (no formal interview) |
| 15:30 | Owen Fletcher interview — council offices, 10 min drive from estate |
Production contact on the day: Tom Adeyemi, Director — [mobile number]
npx claudepluginhub ur-grue/autopunk-media-skills --plugin autopunk-media-skillsProduces a formatted radio interview cue sheet with scripted intro, key questions, follow-ups, factual reference points, and out-cue for presenters.
Creates, edits, and optimizes skills for Claude Code, including drafting, evaluating with test prompts, iterating on performance, and improving skill descriptions for better triggering accuracy.