Writes a one-page screenplay sales document with logline, synopsis, tone references, and writer positioning for producer meetings and development slates.
How this skill is triggered — by the user, by Claude, or both
Slash command
/autopunk-media-skills:one-pager-writerThe summary Claude sees in its skill listing — used to decide when to auto-load this skill
Writes a one-page screenplay sales document — logline, short synopsis, tone references, and writer positioning — formatted for producer meetings, development slates, and financier packets.
Writes a one-page screenplay sales document — logline, short synopsis, tone references, and writer positioning — formatted for producer meetings, development slates, and financier packets.
Required: Title; format (feature, TV pilot, series); logline or one-paragraph premise; three-act story summary (can be brief); writer's name and one-line bio or positioning statement Optional: Tone/genre references (comparable titles); target audience; production notes (budget tier, shooting location, key casting considerations); any awards, fellowships, or prior credits relevant to the project
Single-page equivalent: approximately 350–450 words of body text. Four sections with minimal headers: [PROJECT TITLE] (centered, all caps), [FORMAT · WRITER] (subtitle line), Logline (1 sentence), Story (two paragraphs, ~150 words total, present tense), Tone & Comparables (2–4 sentences), About the Writer (1–3 sentences). No bullet points. No production history or budget figures unless provided. The document should be readable in under 90 seconds.
Title: SHELF LIFE Format: Feature film Writer: Priya Khatri — debut feature, produced short films, previously worked as a line producer on three mid-budget dramatic features Logline: A supermarket shelf-stacker in her late thirties realizes, during a single overnight shift, that she has been sleepwalking through a life she chose entirely for other people. Story summary:
SHELF LIFE Feature Film · Written by Priya Khatri
Logline During a single overnight shift at a supermarket, a woman in her late thirties comes to understand — quietly, irreversibly — that she has spent seventeen years living a life that was never hers.
Story CLARE, 38, arrives at the supermarket at 11 p.m. for her regular Thursday overnight. She knows every aisle, every colleague, every procedure. Tonight a new employee joins her section — a teenager named Jamie who moves through the store the way Clare used to move through the world: like someone who still believes things are going to change.
Over the next eight hours, across inventory counts, loading bay breaks, and a borrowed phone that contains a message she was never meant to read, Clare reassembles the true shape of her life. She earns less than she told her family. She has been passed over for promotion twice. The architecture degree she deferred at twenty-one was deferred, then quietly surrendered, then never mentioned again. By the time the sun comes up and the morning staff arrive, Clare has not made a dramatic gesture. She has sent one email. She walks to her car.
Tone & Comparables SHELF LIFE sits alongside Aftersun and Wendy and Lucy in its attention to working-class interiority and its refusal to sentimentalize or resolve. Where those films hold the audience at an observational distance, this one grants access to the full interior — the gap between what Clare says and what she knows. It is a film about the small, structurally invisible ways that women's ambitions disappear, told in real time over one night shift.
About the Writer Priya Khatri brings production experience from three mid-budget dramatic features and the precision of a practitioner who understands both the creative and logistical realities of a shoot of this scale. SHELF LIFE is her debut feature screenplay.
npx claudepluginhub ur-grue/autopunk-media-skills --plugin autopunk-media-skillsGenerates a professional one-page sales document for completed or nearly completed documentaries, formatted for festival markets, distributor meetings, and sales conversations.
Guides screenplay writing with 3-act structure, sequence method, scene formatting, dialogue rules, and A/B story weaving.
Guides building three-act screenplay structure with inciting incident, midpoint, and character arc. Useful for film/TV writing projects.